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Disturbed by the savagery of the murder, Black promises the girl's mother he will find the killer. Jerry is not only paranoid, he loves being paranoid.The quick arrest of a suspect satisfies his colleagues, but Jerry insists the killer is still at large and preying on other girls. His apartment, a mini-masterpiece of set design, bulges with files, folders, documents, newspaper cuttings and cabinets. It was great that for the 20th-anniversary re-issue of his trilogy.This is because the Eastern accents share many phonetic quirks with British dialects, such as the broadening of vowels or the dropping of "r's." It is rare to hear one of these actors attempt, say, a California accent - but it is not unheard of.Note that this trope does not apply to non-American actors who are not trying to disguise their accent or origin.I am Zola and I watch a ton of movies for entertainment and education.My reviews are pretty basic in content and simple to read.Val Kilmer has been in a lot of films, so people often debate each other over what the greatest Val Kilmer movie of all time is.

Friday 30 November The Santa Clause ***1/2 (97 mins; 1994) with Tim Allen, Eric Lloyd, Judge Reinhold, Peter Boyle, Wendy Crewson. Monty Python's The Meaning of Life (90 mins; 1983) with Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones. Presumably, the network will first show the 20-minute short , otherwise the boardroom sequence won't make any sense. It made a star out of Zac Efron, who went on to be part of the ensemble of the smash hit , and proved that not only was it possible for modern teenagers to headline a wholesome piece of good, clean family entertainment, but that it could be a runaway hit. When this film screened recently in the US it pulled in r 17 million viewers, making it the most watched program in the history of basic cable. (Astonishingly, Lucas actually made this dull sequence longer.) Infinitely more irksome than any of this, however, is how poorly staged the space battle sequences are, and how stupid the Imperial forces have suddenly become. It's an engrossing character portrait of aged small-town detective Jerry Black, played superbly by Jack Nicholson.On the day of his retirement, the mutilated corpse of a young girl is found. In the dark, deep back streets of New York, cab driver Jerry (Mel Gibson) harasses his hapless passengers with long, fanciful conspiracy tales, enlightening them with manic enthusiasm about the way the world really works.Once all reasonable police resources have been exhausted, he turns his retirement into a long-term quest to trap the killer, even if it involves some highly unethical manipulation of innocent people. In this winning 1994 Christmas chestnut, Tim Allen plays a suburban dad who is charged with assuming the role of Santa Claus. Conspiracy Theory ***1/2 (130 mins; 1997) with Mel Gibson, Julia Roberts, Patrick Stewart, Cylk Cozart, Steve Kahan. They are crammed with information, which he keeps crunching until he can fill the next issue of Conspiracy Theory, his newsletter, which has five loyal subscribers. A new scene here, a polished effects sequence there, they are essentially the same films we saw when they first came out to rewrite the way high-tech films should be.Penn shows a sharp eye for detail and nuance, as well as a healthy disregard for the conventions of story resolution and character arcs. Allen has made a lot of misfires in his chequered post- where the spirit of the season is continually framed in terms of commercialism and greed-driven corporate culture. His ultimate fantasy comes true when he bothers Justice Department officer Julia Roberts once too often and finds that all the black helicopters and Government agents he always suspected were out there waiting for him actually come after him with guns blazing and with Patrick Stewart in command. The last film from the Monty Python crew was an erratic swan song of gross-out skits, over-the-top musical numbers and the invention of a machine that goes "ping". Anybody who has not yet seen this phenomenally successful Disney TV movie should do so, if only for the sake of their zeitgeist cred. Never mind its vintage or the spurious claims that the 1989 Kenneth Branagh version was more earthy, Laurence Olivier's staging of Shakespeare's timeless tale of royalty and war remains the definitive telling. With the Special Edition of was supposed to be the cosmic payoff to the story, the eye-watering denouement where all that fun and hard work came to an exquisite, satisfying climax. Known in the film as Ewoks, these fuzzy, one-metre-tall munchkins on the forest moon of Endor help Leia, Han and Luke disarm the forcefield protecting the new Death Star from being knocked off yet again by the Rebel Alliance (which, for some bizarre reason, now includes a gang of fish).